Stories from the workshop: how a piece gets made, how to look after it, and the rooms it ends up in.

A fluted oak sideboard in afternoon light
Materials · 4 min read

Why we only work in solid wood

Veneer hides what a table is made of. Solid timber shows it, and it can be repaired for decades.

A fluted oak sideboard in afternoon light
Materials · 4 min read

Why we only work in solid wood

Veneer hides what a table is made of. Solid timber shows it, and it can be repaired for decades.

A fluted oak sideboard in afternoon light
Materials · 4 min read

Why we only work in solid wood

Veneer hides what a table is made of. Solid timber shows it, and it can be repaired for decades.

An ebonised sideboard with a woven cane front

A little moisture, a soft brush and some patience. What to do, and what to leave well alone.

A sculpted walnut chair leg against a stone wall
Workshop · 6 min read

Inside a ten-week build

From the first cut to the last coat of oil, week by week, on a single dining chair.

A moss velvet sofa on a teak frame by a window

Low backs, visible legs and a little air underneath. Why the smallest rooms need the most careful sofa.

A round oak coffee table on a jute rug
Workshop · 4 min read

What made to order really means

No warehouse, no stock and no discounts. Why your piece starts on the bench the week you commission it.

A clay lamp glowing on a walnut side table
Rooms · 3 min read

The case for darker rooms

Why one good lamp beats a bright ceiling, and how to light a room for the evening you actually have.

Three hand-woven jute baskets on a rug
Materials · 3 min read

Why jute keeps coming back

It is cheap, it is tough and it softens with use. A case for the humblest fibre in the room.

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